Opening: 28th April 2006, 6 - 10 p.m.
Duration: 28 th April - 27th May, Tue. - Sat. 12 - 6 p.m.
Humor, lightness and grace as well as deep irony and dramatic sceneries characterize the works of the Chinese artist Kan Xuan. While using simple and clear images, she expresses her desire for a more direct, simple and original understanding of life.
Kan Xuan, born 1972 in XuanCheng, lives and works in Beijing and Amsterdam. As a visual artist she chooses different media like photography and video installation. Her first solo exhibition in Europe with BüroFriedrich concentrates on her video works. In a representative choice of her characteristic filmlets, projections of eight different works from the years 1999-2006, cumulate in a sound and image intensive installation.
Besides the tradition of Chinese picture language, Kan Xuan works in the language of international art and in particular of the international media. Using clearly and simply structured filmlets she describes in direct and understandable images what affects her personally. The single sequences are technically perfect, and to some extent composed to be visually irritating.
The peculiar spirit of Kan Xuan’s cheeky-feminine personality affects the short episodes of her works. With her maidenly light narration paired with deep irony she takes a stand against personal and social conditions. Her stories amuse, raising a smirk in the viewers face, and at the same time broach the issue of personally unpleasant or theoretically difficult problems. They do not try to provide an answer, but tell a story, whose continuation is optional.
Like this, the work Objects emerged from the preoccupation with the object and its material and color. Filmed in black and white, objects fall into a liquid. A new color from the palette of grey tones are assigned to them – eggs are white, blood is black, coins are white.
100times shows a 100 cups of the same series of manufacture, one after another smashed on the ground. With accent on the working process, each cup has been filled before with a different amount of ceramic glaze and baked in the oven. Manipulated in this way, each one has a different tone.
The work Countdown, however, is an attempt by the artist to grasp a moment in time. Standing on the historical Tiannamen Square, she counts the 60 seconds of a minute backwards. Counting the countdown with her fingers, she tries to reunite the past and the future for a moment, before she dissappers into the crowd.
Kan Xuan is currently showing her video work at the 9th Havanna Biennial, Cuba and the Museo Colecciones ICO, Madrid. Also, her work is on display at the Ikon Gallery, Birmingham.